I used to think the Japanese horror film Ringu was super scary, and the Hollywood version creeped me out as well. As I’ve gotten older, however, I’ve begun to find both movies silly and charming, especially since I would love to have a ghost friend come to visit through my television screen.
This is based on a scene from the sixth chapter of The Legend of the Princess, a Legend of Zelda fanfic I wrote in 2017 and 2018. I was interested in exploring the character of Ganondorf, who I don’t read as “evil” so much as taking radical action in extreme circumstances. This doesn’t mean that he’s a good person, but rather that Hyrule is an awful place. For me, Ganondorf represents a lot of the issues involved in what might be called “the ethics of rage.” He is expressing anger in this scene, but Zelda is wise enough not to make assumptions about what he means when he says that “Hyrule will burn.”
I’d always wanted to write a Gothic romance set in a haunted castle, but I wasn’t taking this story seriously until Naomi sent me this comic, which inspired me to step up my own creative efforts. The quality of Naomi’s work helped me realize that what I was doing had the potential to become an interesting and meaningful story that was worth my time and effort. Although I’d started writing a fairly basic fantasy-themed murder mystery, I ended up with an exploration of the intersections between gender, race, power, and political responsibility. It’s always a pleasure to collaborate with a visual artist, and I consider myself lucky that someone as brilliant and talented as Naomi was willing with work with me on this project.
Haunted Haiku collects of 147 horror-themed haiku. Some are eerie, some are elegiac, some are homages to cult horror films, and some are just weird.
This zine is fifty pages long and standard half-letter size. This was my first time printing a zine with perfect binding (in which the pages are glued instead of stapled together), and I underestimated how large the interior margins need to be. I’m almost sold out of this zine (although there are still a few copies left on Etsy), but I’m going to change the font size if I ever end up doing a reprint.
The cover art is by the Australian writer, illustrator, and comic artist Sarah Winifred Searle (@swinsea on Twitter). It was an incredible honor to be able to work with her! It was actually Sarah who came up with the title of this zine. I was going to call it “Horror Haiku” (like my other two haiku zines), but Sarah suggested that “Haunted Haiku” might sound nicer. She was right, of course, which is one of the many reasons why it’s always wonderful to collaborate with artists on projects like this.
In any case, this is the first zine I took to be sold at Atomic Books in Baltimore, which is one of my favorite independent bookstores in the world. One of the reasons I love Atomic Books is that their shelves of zines are the first thing you see when you walk in the door, which makes you feel as if you’re stepping into a unique and special space. Anyone can buy books on Amazon, which is why I appreciate when independent bookstores use their physical location as a way to bring an actual community of writers and readers together. Getting an email from Atomic Books saying that they would be interested in receiving a few copies of this zine is definitely one of the coolest things to happen to me this year.
The Legend of Comics is a collection of drawings and short comics I posted on Tumblr between 2014 and 2018. This zine is 32 pages long, standard half-letter size, and filled with my love for the Zelda series.
This zine was fairly successful, but I don’t think I’ll do another print run. I had little to no idea what I was doing on Photoshop until relatively recently, and my art has evolved significantly since then. The way I drew Ganondorf in particular makes me cringe.
I also had a strange experience on Etsy in which someone bought this zine as a present for their six-year-old child. My understanding of both zine culture and Tumblr culture is such that I never would have expected someone to associate either of those things with the notion of “kid-friendly,” and the parent was (understandably) offended that the zine contains adult humor. I therefore had to put a disclaimer on the Etsy listing that reads “The zine contains two instances of strong language and one mildly risqué allusion to an old internet meme, and it’s probably not suitable for young children.”
This incident helped me realize that presentation and curation are important, even for an amateur fanzine. I think it might also have been good to include captions for some of the comics whose humor is closely tied to my specific corner of Zelda fandom. I printed this zine in February; and, after six months of reflection, there’s a lot I would do differently now. Instead of trying to revise this zine, I’m looking forward to implementing my ideas into a new Legend of Zelda fanzine that I’m planning to publish next January.
I don’t necessary ship Link and Zelda romantically, but I like to think that they were very good friends. Perhaps Link even has a few imaginary conversations with her in his head as he travels.
I think Link’s journey is just as much about him finding himself and remembering his past relationships as it is about “saving the world.” The Sheikah Slate is therefore an interesting conceit in that, just as it allowed Zelda to record impressions of what she saw the past, it allows Link to record his own memories in the present. This is emphasized in the Japanese version of the game, in which all of the text in the Hyrule Compendium is written using a first-person POV, as if Link were making notes so that he can share them after his quest is finished. On a metatextual level, I think this is a lovely perspective on digital technology, which allows people to communicate with one another across time and space, even when the world sometimes seems empty and lonely.
Sweaty & Upsetty is a collection of short comics I posted on Tumblr between 2014 and 2018. Some of these comics are about fandom, and some are about anxiety, but most of them are about the experience of being on the internet as a weird little gremlin. There are also a few comics about my Super Mario Bros. headcanon, which is that Bowser and Princess Peach are not-so-secretly dating.
This zine is twenty pages long, standard half-letter size, and professionally printed by Mixam with a velvet-touch cover and full-color glossy interior pages. It was an experiment in formatting artwork for print, so I only made fifty copies to give to friends. I also dropped off a few copies at my local comic book store in Washington DC, Fantom Comics, and I have three last copies that I’m going to leave at Quimby’s Bookstore when I visit Chicago for an academic conference in late October.
My artwork has improved in leaps and bounds since I started sharing it online five years ago. I don’t think I’ll ever reprint this zine, but I’m looking forward to putting together another comics zine early next year!
Although I’ve written fanfiction on and off for decades, I got really serious about fandom around November 2014. I’ve written hundreds of thousands of words of fic since then; and, for the most part, it was a positive and rewarding experience. Although I’m still wrapping up a few ongoing fandom-related projects, I’ve started to think about publishing original fiction.
I published a chapbook called Ghost Stories in November 2018, and it collects thirteen short stories that occupy the space between horror, magical realism, and autobiography. It’s 28 pages long, standard half-letter size, and professionally printed with a velvet-touch cover and glossy interior pages by a service called Mixam. The tagline for the chapbook, which appears on the back cover, is this: These are the stories I tell myself to help make sense of a truth that’s too strange to be believed. Sometimes ghosts are kinder than the living.
The cover artist is Kirsten Brown (@unknownbinaries on Tumblr), who creates absolutely incredible horror-themed art.