Listen, I’m not saying Ganondorf is a good person, I’m just saying that the Legend of Zelda games suddenly become a whole lot more interesting as soon as you stop thinking of him as being mindlessly evil. The way I see it, Ganondorf is an intelligent man who may have started out with good intentions but who was twisted by his experience with the horror lurking underneath the bucolic surface of Hyrule. To me at least, this interpretation makes the stories of the games much richer and more nuanced.
I say this comic was written by me, but what really happened was that I sent Naomi a rambling email about how much I was enjoying the Good Omens miniseries on Amazon. I’ve been a fan of the book ever since I was in high school, and I think Naomi owns literally a dozen copies of it. Every character in Good Omens is wonderful, but I have a special fondness for the idea of the serpent who, having fallen from grace, makes a garden of his own.
This comic got a lot of attention on Tumblr, by the way, which is exactly as it should be.
This actually happened to me in Philadelphia in 2012. It was super creepy, and I still think about it sometimes. Maybe this is just me, but I’m not entirely sure that Philadelphia exists in consensus reality.
I used to think the Japanese horror film Ringu was super scary, and the Hollywood version creeped me out as well. As I’ve gotten older, however, I’ve begun to find both movies silly and charming, especially since I would love to have a ghost friend come to visit through my television screen.
This is based on a scene from the sixth chapter of The Legend of the Princess, a Legend of Zelda fanfic I wrote in 2017 and 2018. I was interested in exploring the character of Ganondorf, who I don’t read as “evil” so much as taking radical action in extreme circumstances. This doesn’t mean that he’s a good person, but rather that Hyrule is an awful place. For me, Ganondorf represents a lot of the issues involved in what might be called “the ethics of rage.” He is expressing anger in this scene, but Zelda is wise enough not to make assumptions about what he means when he says that “Hyrule will burn.”
I’d always wanted to write a Gothic romance set in a haunted castle, but I wasn’t taking this story seriously until Naomi sent me this comic, which inspired me to step up my own creative efforts. The quality of Naomi’s work helped me realize that what I was doing had the potential to become an interesting and meaningful story that was worth my time and effort. Although I’d started writing a fairly basic fantasy-themed murder mystery, I ended up with an exploration of the intersections between gender, race, power, and political responsibility. It’s always a pleasure to collaborate with a visual artist, and I consider myself lucky that someone as brilliant and talented as Naomi was willing with work with me on this project.