I used to think the Japanese horror film Ringu was super scary, and the Hollywood version creeped me out as well. As I’ve gotten older, however, I’ve begun to find both movies silly and charming, especially since I would love to have a ghost friend come to visit through my television screen.
This is based on a scene from the sixth chapter of The Legend of the Princess, a Legend of Zelda fanfic I wrote in 2017 and 2018. I was interested in exploring the character of Ganondorf, who I don’t read as “evil” so much as taking radical action in extreme circumstances. This doesn’t mean that he’s a good person, but rather that Hyrule is an awful place. For me, Ganondorf represents a lot of the issues involved in what might be called “the ethics of rage.” He is expressing anger in this scene, but Zelda is wise enough not to make assumptions about what he means when he says that “Hyrule will burn.”
I’d always wanted to write a Gothic romance set in a haunted castle, but I wasn’t taking this story seriously until Naomi sent me this comic, which inspired me to step up my own creative efforts. The quality of Naomi’s work helped me realize that what I was doing had the potential to become an interesting and meaningful story that was worth my time and effort. Although I’d started writing a fairly basic fantasy-themed murder mystery, I ended up with an exploration of the intersections between gender, race, power, and political responsibility. It’s always a pleasure to collaborate with a visual artist, and I consider myself lucky that someone as brilliant and talented as Naomi was willing with work with me on this project.
Haunted Haiku collects of 147 horror-themed haiku. Some are eerie, some are elegiac, some are homages to cult horror films, and some are just weird.
This zine is fifty pages long and standard half-letter size. This was my first time printing a zine with perfect binding (in which the pages are glued instead of stapled together), and I underestimated how large the interior margins need to be. I’m almost sold out of this zine (although there are still a few copies left on Etsy), but I’m going to change the font size if I ever end up doing a reprint.
The cover art is by the Australian writer, illustrator, and comic artist Sarah Winifred Searle (@swinsea on Twitter). It was an incredible honor to be able to work with her! It was actually Sarah who came up with the title of this zine. I was going to call it “Horror Haiku” (like my other two haiku zines), but Sarah suggested that “Haunted Haiku” might sound nicer. She was right, of course, which is one of the many reasons why it’s always wonderful to collaborate with artists on projects like this.
In any case, this is the first zine I took to be sold at Atomic Books in Baltimore, which is one of my favorite independent bookstores in the world. One of the reasons I love Atomic Books is that their shelves of zines are the first thing you see when you walk in the door, which makes you feel as if you’re stepping into a unique and special space. Anyone can buy books on Amazon, which is why I appreciate when independent bookstores use their physical location as a way to bring an actual community of writers and readers together. Getting an email from Atomic Books saying that they would be interested in receiving a few copies of this zine is definitely one of the coolest things to happen to me this year.
I don’t necessary ship Link and Zelda romantically, but I like to think that they were very good friends. Perhaps Link even has a few imaginary conversations with her in his head as he travels.
I think Link’s journey is just as much about him finding himself and remembering his past relationships as it is about “saving the world.” The Sheikah Slate is therefore an interesting conceit in that, just as it allowed Zelda to record impressions of what she saw the past, it allows Link to record his own memories in the present. This is emphasized in the Japanese version of the game, in which all of the text in the Hyrule Compendium is written using a first-person POV, as if Link were making notes so that he can share them after his quest is finished. On a metatextual level, I think this is a lovely perspective on digital technology, which allows people to communicate with one another across time and space, even when the world sometimes seems empty and lonely.
If you’ve never played Breath of the Wild, the joke is that the game not only allows but actively encourages the player to stage elaborate selfies in all sorts of dangerous situations. As a result, Link comes off like an absolute maniac, but he’s so charming that it’s difficult to dislike him. Probably even the creepy physical embodiment of Ganon’s spiritual corruption has a crush on Link.
Before Link wakes up and begins his journey in Breath of the Wild, Zelda spends one hundred years in Hyrule Castle with Calamity Ganon. Seriously, what were they doing for all that time?
I’ve been very impressed by all the videos (like this one) showcasing gameplay demos of Breath of the Wild mods that replace Link with Princess Zelda, and getting to play as Zelda herself is all I want from the sequel.